It’s me shcboomer, here again with another edition of VN & Anime OST Appreciation. I’m a bit tired from subbing Little Busters! ~Refrain~ Episode 11 this week, so I’ll try to keep things short. If you’re wondering, I did cry due to this episode, much manly tears were had.
I’m actually in the process of reading the VN right now (Komari route). Will I watch LB Refrain anime after reading the VN? Proooobably not.
Well, I wouldn’t blame you… Glad to hear you’re reading the VN, it’s definitely worth it.
To commemorate this episode of Little Busters! ~Refrain~, let’s start off with Haruka Kanata, otherwise known as Faraway, from the latest episode of Refrain. The song is sung by Rita as with the majority of the vocal tracks from Little Busters! Manack arranged this track, and it was written and composed by none other than Jun Maeda.
Hmm, so we aren’t weeaboo enough to use Maeda Jun? Meh, whatever. This track… It’s kind of slow and pretty, but I’d need lyrics to really appreciate it. Then again, the lyrics could be a spoiler.
Lyrics are fine, if you watched our episode 11, you would have lyrics. The episode might be a big spoiler though…
While we’re on the topic of sad and touching OSTs, let’s take a look at Secret Base ～君がくれたもの～ (10 Years After Ver.) from AnoHana. It is sung by three VAs from the AnoHana anime in this version of the song: Meiko Honma (CV. Ai Kayano), Naruko Anjou (CV. Haruka Tomatsu), Chiriko Tsurumi (CV. Saori Hayami.) Lyrics and composition goes to Norihiko Machida and arrangement can be attributed by Toku.
Damn it, Boomer keeps sneaking anime music into my VN-land. How dare he! Also, the beatmap I have for this on osu is really annoying to get right timing-wise. Oh, and I can totally read that Japanese, it’s “kimi ga kuretamono”. I don’t actually know what kuretamono means though, so I guess that was pretty pointless. Damn.
Hmm, the breakdown at around 0:37 was quite interesting. I actually like this tune quite a bit – it’s both happy and a bit melancholic, isn’t it? Bit obvious pitch correction at some places though; guess it might be used for effect… Not sure if I approve of the bridge at 3:10 that much, especially its start. The solo at around 5:00 is really disappointing. It’s a guitar man, USE IT. MAKE IT CRY. MAKE IT SING. LIVE. DID I MENTION I LIKE GUITARS.
I’m certain you’d understand if you watched the anime. It’s so fitting to AnoHana, even if the song is much older. The VAs for AnoHana did a cover of this song and it was used for the anime which is why it’s the 10 Years After Version.
Lastly, we have Eternal Feather from ef – a fairy tale of the two. This song is written by nbkz, composed and arranged by Tenmon, and Hitomi Harada provides the vocals.
Minori considers their high-quality graphics to be one of their trademark features – they even do their VNs in 1080p! Or was it 1920×1200, can’t remember… anyway, they have good graphicness. Kind of a pity that this video is 1. artifacted quite a bit and 2. Flash sucks hard so I had to download it and use potplayer, but I guess that comes with the Youtube territory. As for the musical content, decent, but pretty animu-style-OP-meh-y. Not bad, but not better than anything else good I guess?
That’s all from me for now. I pass on the torch to Zakamutt.
Hah, you expect ME to WORK?
…Ok will do.
At first, I thought “Man, I really should try to pick tracks from VNs I haven’t mentioned yet.” Then this tune popped into my head. I’m not really all that sorry because Ever17.
A lot of the Ever17 tracks I like have this daft-punkish Homework era thing where the very first seconds grab you. Daft Punk managed this with just a single sample at times; Ever17 might not be quite that extreme. Still, it’s a great quality for background music – to hit you, straight away, with the desired atmosphere. Hologramm really does that – it speaks of mystery, but also of revelation – of truths tantalizingly hidden away, yet within your grasp… If you reach out to grasp them.
I think I need to read Ever17 at some point now… The track is quite mysterious alright.
Aah, Saya no Uta. Now officially released by JAST; years before, made available through a fan translation by the same guy. I dislike the official release because it’s named “Song of Saya” and not “Saya’s Song”. Now if that isn’t word-nerdotry, I’m not sure what is… Anyway, to the actual track. Feel the beauty and purity of those high notes? Yes, Saya is beautiful (although I feel the video’s picture kind of butchers her actual looks.) But the melody is sad, otherworldly, just a little bit… disturbing. Again, perfect use of music to build atmosphere.
SnU is partly a horror VN, and honestly, what would horror be without unsettling music? The rest of Saya no Uta’s soundtrack is great as well. If you want to really experience it, though… Just read the VN. You will probably not get disappointed, unless you are batman, who is wrong about everything (ZING SHOTS FIRED.) Oh, it’s medium strength guro, so I guess there is that problem. Honestly though, I’ve been called Zakapuss for good reason before; it’s not really that creepy. Not only that, but Saya’s pretty… deep, I’d say. A romance-above-all story? An exploration into what it means to be human? A lovecraftian fantasy? You’ll find all of that right here.
(Bonus: Extra Credits, a long-running series of videos about game design, mentioned Saya no Uta in this episode.)
Saya no Uta, an interesting choice indeed. I do like this track from the OST, so no worries.
I think this was the first time I heard such an all-out freakout what-the-fuck-oh-shit track in a fairly modern style in a VN. Granted, F/SN was hardly the last VN I’ve read, and Tsukihime’s Phantom Dance has its charms, but anywaysies.
F/SN, another VN on my to read list… That thing is huge.
Things I tried hard to find but didn’t, messing the deadline up: 世界が色づき始めるとき by foka, the Higurashi excited club-activity theme. Oh well.