It’s me shcboomer, here again with another edition of VN & Anime OST Appreciation. I’m a bit tired from subbing Little Busters! ~Refrain~ Episode 11 this week, so I’ll try to keep things short. If you’re wondering, I did cry due to this episode, much manly tears were had.
I’m actually in the process of reading the VN right now (Komari route). Will I watch LB Refrain anime after reading the VN? Proooobably not.
Well, I wouldn’t blame you… Glad to hear you’re reading the VN, it’s definitely worth it.
To commemorate this episode of Little Busters! ~Refrain~, let’s start off with Haruka Kanata, otherwise known as Faraway, from the latest episode of Refrain. The song is sung by Rita as with the majority of the vocal tracks from Little Busters! Manack arranged this track, and it was written and composed by none other than Jun Maeda.
Hmm, so we aren’t weeaboo enough to use Maeda Jun? Meh, whatever. This track… It’s kind of slow and pretty, but I’d need lyrics to really appreciate it. Then again, the lyrics could be a spoiler.
Lyrics are fine, if you watched our episode 11, you would have lyrics. The episode might be a big spoiler though…
While we’re on the topic of sad and touching OSTs, let’s take a look at Secret Base ～君がくれたもの～ (10 Years After Ver.) from AnoHana. It is sung by three VAs from the AnoHana anime in this version of the song: Meiko Honma (CV. Ai Kayano), Naruko Anjou (CV. Haruka Tomatsu), Chiriko Tsurumi (CV. Saori Hayami.) Lyrics and composition goes to Norihiko Machida and arrangement can be attributed by Toku.
Damn it, Boomer keeps sneaking anime music into my VN-land. How dare he! Also, the beatmap I have for this on osu is really annoying to get right timing-wise. Oh, and I can totally read that Japanese, it’s “kimi ga kuretamono”. I don’t actually know what kuretamono means though, so I guess that was pretty pointless. Damn.
Hmm, the breakdown at around 0:37 was quite interesting. I actually like this tune quite a bit – it’s both happy and a bit melancholic, isn’t it? Bit obvious pitch correction at some places though; guess it might be used for effect… Not sure if I approve of the bridge at 3:10 that much, especially its start. The solo at around 5:00 is really disappointing. It’s a guitar man, USE IT. MAKE IT CRY. MAKE IT SING. LIVE. DID I MENTION I LIKE GUITARS.
I’m certain you’d understand if you watched the anime. It’s so fitting to AnoHana, even if the song is much older. The VAs for AnoHana did a cover of this song and it was used for the anime which is why it’s the 10 Years After Version.
Lastly, we have Eternal Feather from ef – a fairy tale of the two. This song is written by nbkz, composed and arranged by Tenmon, and Hitomi Harada provides the vocals.
Minori considers their high-quality graphics to be one of their trademark features – they even do their VNs in 1080p! Or was it 1920×1200, can’t remember… anyway, they have good graphicness. Kind of a pity that this video is 1. artifacted quite a bit and 2. Flash sucks hard so I had to download it and use potplayer, but I guess that comes with the Youtube territory. As for the musical content, decent, but pretty animu-style-OP-meh-y. Not bad, but not better than anything else good I guess?
That’s all from me for now. I pass on the torch to Zakamutt.
Hah, you expect ME to WORK?
…Ok will do.
At first, I thought “Man, I really should try to pick tracks from VNs I haven’t mentioned yet.” Then this tune popped into my head. I’m not really all that sorry because Ever17.
A lot of the Ever17 tracks I like have this daft-punkish Homework era thing where the very first seconds grab you. Daft Punk managed this with just a single sample at times; Ever17 might not be quite that extreme. Still, it’s a great quality for background music – to hit you, straight away, with the desired atmosphere. Hologramm really does that – it speaks of mystery, but also of revelation – of truths tantalizingly hidden away, yet within your grasp… If you reach out to grasp them.
I think I need to read Ever17 at some point now… The track is quite mysterious alright.
Aah, Saya no Uta. Now officially released by JAST; years before, made available through a fan translation by the same guy. I dislike the official release because it’s named “Song of Saya” and not “Saya’s Song”. Now if that isn’t word-nerdotry, I’m not sure what is… Anyway, to the actual track. Feel the beauty and purity of those high notes? Yes, Saya is beautiful (although I feel the video’s picture kind of butchers her actual looks.) But the melody is sad, otherworldly, just a little bit… disturbing. Again, perfect use of music to build atmosphere.
SnU is partly a horror VN, and honestly, what would horror be without unsettling music? The rest of Saya no Uta’s soundtrack is great as well. If you want to really experience it, though… Just read the VN. You will probably not get disappointed, unless you are batman, who is wrong about everything (ZING SHOTS FIRED.) Oh, it’s medium strength guro, so I guess there is that problem. Honestly though, I’ve been called Zakapuss for good reason before; it’s not really that creepy. Not only that, but Saya’s pretty… deep, I’d say. A romance-above-all story? An exploration into what it means to be human? A lovecraftian fantasy? You’ll find all of that right here.
(Bonus: Extra Credits, a long-running series of videos about game design, mentioned Saya no Uta in this episode.)
Saya no Uta, an interesting choice indeed. I do like this track from the OST, so no worries.
I think this was the first time I heard such an all-out freakout what-the-fuck-oh-shit track in a fairly modern style in a VN. Granted, F/SN was hardly the last VN I’ve read, and Tsukihime’s Phantom Dance has its charms, but anywaysies.
F/SN, another VN on my to read list… That thing is huge.
Things I tried hard to find but didn’t, messing the deadline up: 世界が色づき始めるとき by foka, the Higurashi excited club-activity theme. Oh well.
Just the other night, I was running by a short article idea by our great and glorious leader solidbatman about my first post on this blog. If you don’t know me, I’ve basically been a shadow editor for the blog by helping the others edit their articles when asked. Anyway, enough about me, let’s move on to the core of this article. For my first post here, I thought I’d keep it light and post some of the latest tracks that I enjoy from VNs with a short blurb about where they are taken from. I’ll be posting a few, and Zakamutt will post a couple as well.
Pfft, I was the one who suggested how to make the vn songs thing into an actual article concept. Oh, and this color will be mine – Zakamutt
Meh, I just wanted to do an article about VN OSTs/songs that I enjoy. Your idea for an article was good if you want to make yourself feel better.
First off, we have Sunbright, a vocal arrangement of BGM from Key’s visual novel Rewrite by Shinji Orito. Lyrics are provided by Ryukishi07 and vocals from Kitazawa Ayaka. The lyrics are quite silly but they do mean quite a bit in the context of Lucia’s route in Rewrite.
Oh god 360p… oh god the lyrics are so cute… oh god now I’m reminded of all the strong moments in Lucia’s route… *sniff*… Maybe I was too harsh on it, Kotarou’s retard moment nonwithstanding… Could Chihaya=Lucia be my new opinion on those two of Rewrite’s character routes?
BUT WHY 360p???
Probably because the uploader only made a 360p version? Who knows? I couldn’t find another one with lyrics on Youtube.
After that we have Close Your Eyes with vocals from Ayane from G-Senjou no Maou. The song is written and composed by Chiyomaru Shikura and arranged by Toshimichi Isoe. This is both an insert song and an ED song for the various routes.
Alright, 480p is a bit better. I suppose. Maybe. But 720p master race, man (at the wondrous quality of ~180 kbps AAC, but I digress…).
What, I’m supposed to comment on the song? Ok… I honestly don’t really want to even write anything here and just turn the video off because goddamn it this song makes me cry so much due to memories I associate with it jesus christ. This, ladies and gentlemen, is the song that plays during the very best scene G-Senjou no Maou has to offer. I won’t say any more.
G-Senjou no Maou was a thrill to play through. Emotional highs and lows abound. The routes were all fairly interesting and of course we have Haru’s route.
Lastly from me, we have Mayoi no Mori from Grisaia no Kajitsu. Vocals are from Hiromi Sato and lyrics are from Yoshikazu Kuwashima. The song is composed and arranged by Junpei Fujita. I must say that Makina’s route was my favorite from Grisaia no Kajitsu.
No way, it’s obviously Sachi>Michiru>Yumiko=Amane>Makina. Your opinion is now invalid because I have blue text. That said, Makina’s bad end was pretty good. I recommend not spoiling yourself on the final (and only) choice in Makina’s route.
I could care less about your tastes in characters from Grisaia. I don’t have to waste my time arguing about your opinions.
That’s all from me, now I’ll pass on the rest of the article to Zakamutt. ❤
FUHAHAHAHAHA! I SHALL USE THIS OPPORTUNITY WELL.
Oh man… 480p, we meet again. I tried to look up how to make a 720p just-a-damn-image-and-music video that had .wav sound, but no dice on getting a single program that would just take a .wav file (because honestly, nothing that takes a flac file is going to reject a wav file), add an image and go. Why do I want .wav? Because Youtube converts all music files to AAC / ogg anyway, and I might as well have a lossless file going into their evil machines of quality reduction. But no. In case you’re wondering: yes, youtube can and will re-encode aac audio.
…Oh, I should talk about this track. First of all, if you don’t like intrumental tracks, you’re probably not on my wavelength when it comes to music – at least electronic music. This track perfectly captures the bright winter days that mark Kanon’s common route. And man, that string violin-or-something-ish synth. I could masturbate to it. Excuse me for a moment…
I like this track quite a bit too, maybe I should have posted up some Kanon tracks as well. Oh well, there is always next time.
…Aaaah that was nice. Anyway, onto the next video:
FINALLY 720p. YES YES YES YES YES.
This track goes soooo well with Ever17’s creepier sequences – it captures that sense of mystery, hidden danger, suspense, and occasional mindscrew that makes Ever17 so good.
I actually haven’t read Ever17, my backlog is way too huge. Rest assured, I will read it someday. I’m sure of it.
…And that finishes my contributions to this post. I suppose Boomer will add comments all over my parts now and mess this up, but that’s life, I guess…
Says the other contributor who adds all these random comments to my post.
“The past isn’t important. What is important is whether or not you can smile right now… That is proof of your existence… So you have to smile.”
Ever17: The Out of Infinity is a visual novel produced by KID that originally released in 2002 for the Playstation 2 and Sega Dreamcast. In 2003, KID released the novel on PC and Hirameki International brought the game to the United States 2 years later. Thank goodness they did.
Ever17 is part of a larger series called the Infinity series. Other novels in the series include Never7: The End of Infinity, Remember11: The Age of Infinity, 12Riven ―the Ψcliminal of integral―, and Code_18 (Code_18 was not made by KID, nor written by any of the KID staff.). The series is made up of separate stories with recurring themes and theories. Of the entire Infinity series, Ever17 is the only one that ever made it overseas to the United States, though fan translations exist for Never7 and Remember11. 12Riven is also currently being translated.
Now that this brief background is out of the way, let’s get into Ever17: The Out of Infinity. Ever17 is a visual novel. If you read my Clannad review, then you already have a general idea of how a VN is played. In a visual novel, There is usually little to no gameplay, allowing the writers and developers to focus solely on story. For that reason, playing a visual novel is more like reading a book than playing a game. Because it resembles reading more than gaming, many western gamers are turned off by the genre. This holds true for Ever17 — there is no gameplay, aside from picking dialogue choices. Picking the correct choices will eventually give you the good endings, which will eventually lead to the true ending — more on that later. Read the rest of this entry